Fall posting. Not much to report.

There's not really much to say right now but I haven't posted in a while so I thought I'd leave an entry.

Fall has fallen, sort of. school is back in session but I have pretty much finished my course work so all I'm registered for right now is voice lessons. I'm finding now that there are lots of odd loose ends to take care of. Quals, writtens and orals, a recital and a lecture recital, foreign language barrier to pass. It's all stuff I have to register for but it doesn't require that I go to a class on a regular basis so it's hard to get motivated. James suggested I make out a "to do" list in chronological order. What needs to be done first, second, third and so on. I can then check things off as I go along and hopefully this damn degree will be finished sooner than later.

Opera chorus has been going full tilt for a few weeks although those of us who aren't in Giovanni have almost three weeks off which is nice but I'd rather get the pay check. We seem to have a nice cast for Anna Bolena and a wonderful director in Steven Lawless. We're back on the Globe Theater set with the addition of some very tall, louvered walls mounted on wheels so they can be pulled into various configurations by supers. It seems to divide the stage into smaller playing areas and I think will be very effective.

I realized recently that I've barely mentioned my pottery! I have been taking new pics of my pots in anticipation of putting some pieces up on etsy. I haven't done it yet because I'm afraid my works not good enough and will be rejected by the etsy shopping community. This is just a vampire, I realize, but it's looming large for me at the moment. I'm sure I'll pluck up the courage soon and put a few pieces up for sale and see what happens. when I do I will let you all know.

I could write more but it's late and I'm ready for bed. More to come, I promise!

nighty night!

START SPREADIN' THE NEWS!!!!!!! (Liza wind up!!!!!!)

This past week James and I hopped a plane and went to NYC for three days. Now that the craziness of our Ohlook summer is over we decided to take advantage of a little down time to get out of town and take in some different scenery. Not that New York is new to us, been there, done that, but the chance to see a few shows and wander through a couple of museums always gets the creative juices flowing again.

Having taken the creativity workshop with Susan Blackwell earlier in the summer, the thought that came to mind during this trip was "grounded, specific and self-expressed". These words come from Susan Blackwell herself and they/it/this phrase has been the theme of my summer, or at least the last half of my summer. Susan Blackwell was a co-writer of [title of show] and as we were going through the rehearsal process for our little production I kept this phrase close by, repeating it to myself whenever I wasn't sure what path to take. Keep it simple! This harder than it sounds. I'm happy to say that our "Little Show" turned out beautifully. James and I were so lucky to get the AMAZING cast we had in Marianne Galloway, Jennifer Pasion, Marshall Warren and John Davenport. From day one their performances were focused, self-aware, and incredibly honest and real. I ran the light bored for all 8 performances of our too brief run and for all 8 I sat there with a huge, gleeful grin on my face! What a wonderful gift to be given this cast and this show. As a result of the wonderful cast and their deep understanding of the characters, we got lots of WONDERFUL comments from our audiences and managed to get a fantastic review from a local critic. Our plan now is to take the show to the Edinburgh International Fringe Festival next summer. We have a lot of money to raise to make that dream a reality but I know we can do it. The cast is totally behind us and I think we'll discover that there are a lot of folks who believe in us and what we want to do. Crossies!

All of this recent activity came to mind during our trip this past week. While in NYC two of the four shows we saw reminded me specifically of Susan Blackwell's words. We FINALLY saw South Pacific at Lincoln Center. We were lucky enough to get to see Kelli O'Hara and Paulo Szot reprise their roles only a week before the show closes. A large number of the original cast were still with the show so it was as though we were seeing it soon after opening. We all know what a hit this show has been so I don't have to tell you that it was STUNNING to look at! Michael Yeargin took advantage of the vast stage of the Vivian Beaumont Theater and created both intimate and wide open spaces within the same production. Most impressive! The show sounded amazing! It was such a refreshing change to see a show that didn't hit you over the head with amplified sound and which had actors who SING OUT with big, booming voices! WOW!!!!

But what really impressed me was how REAL Kelli O'Hara and Paulo Szot were in their performances. There were no histrionics, there was no "I'm a big, big star playing an iconic role so I'm going to over-do everything and be self-indulgent" performances. Just real, connected, grounded, specific and self-expressed. Inspiration!

The big surprise of the week and what really brought Susan Blackwell's words home to me in a big way was the off broadway revival of Our Town at the Barrow Street Theater which is also closing soon. This production was performed in a small, makeshift space on a very, VERY intimate thrust stage, so intimate that you could easily, at any time, reach out and touch the actors. Everyone on stage wore only rehearsal clothes and a bare minimum of props and furniture were used. The house lights never went down and, in fact, it seemed as though no stage lights were used although there were times when the lights seemed to get brighter and in the third act the lights were definitely dimmer than in the previous two.

Basically, this is a play about small town life. I have seen it twice before. the words boring, soporific, long, dull, excruciating, inconsequential come to mind. This was anything but! There was such an incredible focus and urgency in the performances, such a depth of understanding and connection between the characters that it was palpable. We, the audience, felt what the characters felt. If they cried, I found myself crying. If they laughed, I laughed. The first and second acts seemed to go by in an instant. They weren't dull or slow or boring at all! I was riveted, hanging in every word.

BUT, the most profound and moving moment came in the third act. Emily has died and is in the graveyard where she encounters the other characters who have also died. She asks the stage manager if she can go back and experience one day from her life. He finally agrees and draws back a curtain that I for one had not really noticed before this moment. After all the rehearsal clothes and rehearsal props, the curtain revealed an amazingly detailed set of a turn of the century kitchen. Emily's mother was fully costumed, hair done, make up on. When she went to cook bacon it sizzled in a VERY hot cast iron skillet! We could smell it! She then scrambled eggs in that same pan. The coffee had steam rising from it. The water pump pumped water! The point was made by Emily and driven home by this moment in the production. As we go through our lives we don't pay attention to what we do on a day to day basis. We don't see and observe. At this moment, after Emily has died, she sees everything clearly.

My question after seeing this production was this: Why aren't we doing this in Dallas? Every production, every performance could be just as immediate, just as moving, just as deeply felt and understood by both the actors and the audience and yet we don't seem to get that here. Instead we are forced to settle for work that doesn't trust it's material, misses the point completely and settles for simply "good enough" rather than "right".

Trust the material! Understand the material and what point it's trying to make! Don't settle for "good enough"!!!

I could not have asked for a better evening!

Things are always busy at Ohlook PAC. I went with James to a 1030am performance of The Secret Garden. It's the children's show. By a mix of kids and adults and for kids. HUGE highschool auditorium but not a huge audience. Then over to Plano to see the garden and out to Grapevine for the opening of Little Shop of Horrors and the late night show of [title of show].

Little Shop has come together much faster than it should have and everything felt as though it waited until the last minute to settle. Tonight was wild. I have stepped in at the last minute to play the voice of Audrey II which is no big deal. I have listened to the cast album since I was about twelve so it's safe to say I am familiar with the part. I have a music stand and a stand light tucked away in the crawl space behind the set but I was not prepared for the doo-wap girls when they also had to be crawling around back there! It's already a tight space and they didn't help! Anyway, I think I finally found a spot to stand that's out of the way but I can do what I have to do.

It's such fun playing this part! It is a role I've never gotten to do and, frankly, never thought I'd get to do. AND there is no pressure because I'm never on stage! I have a freedom I don't usually experience when performing. YAY!!!

As soon as we were done with our Little Shop performance the turn around had to happen so we could do [title of show]. I thought it was going to be a nightmare but amazingly everyone was able to get all the accoutrament including the plants moved out so that our little show could move in. A lot of the Ohlook kids hung around but we had a lot of folks just coming to the show. So much so that the show was sold out!!!!

I had pretty much given up on Alexandra Binfield coming to review the show. She said she might but I hadn't heard anything else from her so I assumed she wasn't coming. Just as I was about to go make the curtain speech Jill came and found me and said, "the critic is here!" I went outside, shook her hand, welcomed her and ushered her into the theater. Of course, she managed to find a seat on the front row where the actors could see her plain as day. I made a point of not telling anyone she was there so they wouldn't be nervous. I gave my curtain speech and we started the show. I noticed that the Ms. Benifield never cracked a smile. Not once! I was later told she chuckled a time or two but I didn't see it.

The audience LOVED the show!!! They didn't just laugh, they HOWLED, and a couple of times there was seriously prolonged laughter. When Jeff asked Hunter if he had his hands down the back of his pants and Hunter replied no I thought the audience would never stop laughing! I think there were three rolls of laughter but it was hard to tell because the audience didn't want to stop! Of course, it was a fantastic performance. How could it not be? What I loved about the show tonight was that it really felt like an event and the actors really rose to the occasion. I must say, I can't imagine doing this show with anyone else. The cast is so connected and is having such fun! I couldn't have asked for more! I hope next weekend goes even better and we have big audiences again!

More to come!

The garden and the theater

Well, the garden looks great! Today we went to North Haven Gardens and bought Garret juice, concentrated vinegar and compost tea. The garret juice keeps the aphids away from the cucumbers, the concentrated vinegar is good for killing weeds and the compost tea is a good fertilizer. We could actually make our own compost tea with our compost which I think we can finally go ahead and do now that we have enough. While we were at North Haven we took a stroll through their display vegetable garden. We were thrilled to see that they are also growing melons, egg plants, peppers, cucumbers, melons, squash and okra.

Everything in the garden seems to be doing great. We decided to pull out the corn because upon inspection we realized that the plants were unevenly pollinated. The corn stopped growing when it was only waist high and the ears never got very big. When we pulled back the husks on several ears we discovered tiny kernels and big kernels unevenly spaced. Pollination has to be airborn where corn is concerned so it's really the luck of the draw. We are probably going to plant more and see what happens. Can't hurt.

The melons, on the other hand, are doing great! We are starting to see little tiny nodules develop under the blossoms that are going to turn into yummy melons here in a few weeks. The new squash is just beginning to appear above the dirt. This time, we're going to try to be careful and keep the squash bore worms away.

Turning to things theatrical, [title of show] is going great!!! We had very good, very demonstrative audiences and the cast did a fantastic job! I think now that The Wedding Singer is over the Ohlook kids will be coming to the show and doing their part to fill seats. I have been trying to get a reviewer out to see the show but it's been tough. Part of the problem has been the fact that a lot of critics have ten million summer shows to review around Dallas right now so it's just a matter of finding time in their schedules. Also, I think critics are hesitant to review our show because it was just done at Theater Three. I guess it seems like old news to them. I want a review to include in our materials when we apply to the Edinburgh Fringe Festival. It can improve our chances of getting into a good venue which increases our chances of good audiences at the Fringe. I'm still working on it so we'll see.

I guess that's about it. Stay cool! Stay tuned in! Stay inspired!

More to come!

Theatrical Criticism

Since [title of show] opened I have been working really hard trying to get the word out about our show and drum up an audience. In working toward this end I have been getting in touch with a couple of local critics and asking them to come review the show. One of them wrote back that he didn't like the show itself but he'd try to get someone out to see it. I think that's an interesting comment. Is he saying that because he doesn't like the show he would give it a bad review no matter how good it might be? Since when does criticism hinge on weather or not the critic likes the show, the composer, the lyricist, the director, the actors, the set designer, the costume designer or the producing organization?

Dictionary.com defines the word "criticism" as "the act or art of analyzing and evaluating or judging the quality of a literary or artistic work, musical performance, art exhibit, dramatic production, etc." That being said I ask the question, should critics let their personal views enter into their review? If they don't like an actor, director, etc. should that opinion play into their review. I have always been under the impression that the goal of criticism was to look at a work as a whole and determine weather or not the parts add up to that whole. Has the show reached the goal it has set for itself and do the parts, i.e. actors' performances, sets, props, costumes, sound, lighting, etc. all do their part to reach that goal? In my opinion, if a critic lets his or her personal opinion enter into the discussion then they aren't doing their job. I say, save personal opinions for your blog or an op/ed piece or a book you're thinking about writing.

More to come!

A Busy Summer

Things have been very busy since I got back from the Czech Republic. The day after arriving home I was thrown into rehearsals for Sweeney Todd at Ohlook PAC out in Grapevine. Ohlook is a theater school that works with kids from about the age of six all the way up to adults. Over the summer they have a crazy performance schedule with the children's shows happening during the day and the more adult shows at night. Our rehearsals took place from 2 to 6 everyday while rehearsals for Ohlook's productions of Reefer Madness and Evil Dead: The Musical took place in the evenings.

The plan had been for Ohlook's new building to be built before the summer which, of course, didn't happen. As a result a lot of the summer shows are being rehearsed and performed in the Cafegymnasitorium at the Clarinden School in Southlake. It's not ideal at all. There are no dressing rooms, no "cast only" bathrooms, and while there is a stage, there is literally no wing space. It's just a raised stage floor with steps leading up to it and then three large, bare walls. There are almost no lighting instruments in the space and no mikes. The director brought mikes from the high school where she teaches but apparently she didn't see fit to let Ohlook use them for the rest of the summer so they are doing the best they can in a space where the sound doesn't carry very far once it comes out of your mouth. Many of the roles in Sweeney were triple cast which presented all kinds of problems. It made rehearsals problematic in that rehearsal time was not doled out fairly. Those who were favored by the director tended to get more rehearsal time while others were seriously under-rehearsed. Not an ideal situation.

Once we were open, James and I started rehearsals for [title of show]. This has been my first experience directing a full scale musical. Granted, this is a very intimate, no frills show, but it's 90 minutes with all four on stage most of that time and I had never directed anything with a running time longer than an hour. I managed to avoid panicking by being incredibly organized and prepared. I have Candace Evans to thank for that. Three summers ago when we worked on Cabaret together she was the textbook example of what a well prepared director should be.

But this isn't about me. Our cast is AMAZING and needs to be commended! I have been so blessed to be working with Marianne Galloway, Jennifer Pasion, Marshall Warren and John Davenport. I couldn't ask for better! They have worked so hard in rehearsals and taken everything James and I have told them and made it better than I could have hoped for. I extend a giant thank you to them!

On paper it looked like we had lots of rehearsal time but due to the Ohlook performance schedule and James being the music director for both Reefer and Evil Dead, we could only rehearse four days a week. The cast rose to the challenge and has done an amazing job! We managed to pull the show together in about nine days of rehearsal which is VERY fast and not ideal. The cast got into the habit of meeting early to run lines before rehearsal which was a tremendous help! I wish we'd had time to routine the show a little more but no matter. I am thrilled with the wonderful job they are doing!

This past monday we made an appearance at Mama's Party to promote the show. Sometimes the audiences there are small but we were lucky enough to be on the bill with the Brookhaven JC production of Chess so a lot of students were there. Our cast performed four songs from the show and a lot of the Brookhaven kids said they were planning on coming to see our show which is very exciting! We had small audiences our opening weekend so hopefully things will improve as time goes on. Lord knows I'm doing as much as I can to promote the show with the resources I have available.

The garden in Plano is going great! I am really enjoying it. Things are really starting to thrive and grow and we're starting to see the results of all our work. Soon we'll have tons of egg plants, peppers and okra. The gourds, squash and mellons are doing well, also. We had an attack of aphids in the cucumbers which was surprising as we've been doing everything possible to prevent them. James thinks the week of rain we had a while back made things too damp and that left the door open for the little motherf-ckers! LOL. We've been using garrett juice and an organic insecticide on them and I think it's working. The leaves don't look shiny anymore and the new growth looks very healthy and is putting on flowers. Hopefully we'll have a huge crop before it's all over. The compost pile is doing great! We moved have of it into the second...what would you call it?...receptical?...containment area? Who knows. Anyway, we separated the compost into two parts and layered in hay to allow it to aerate itself. They hay will break down and add to the compost, of course. As we dug, we could feel a lot of heat coming off of the compost. The center is VERY hot which is exactly what is supposed to happen. Over the winter we should be able to till some wonderful, nutrient rich "compost dirt" into the raised beds to enrich the soil! YAY!!!

I guess that's about it. I am constantly thinking of things that would be a great blog subjects but I never write them down so I forget them. I will work harder. For the time being this will have to do. I hope it's remotely interesting.

More to come!

I'm sitting here at 140am waiting for my iphone to finish downloading its new software. Ever since the last update which coincided with the release of the 4G my pitiful 3G has been acting all kinds of crazy. It's taking a while so I thought I'd write a blog which I wait.

Ever since I returned from the Czech Republic I have been incredibly busy which has left me no time AT ALL for clay. It doesn't help that kids camps are going on right now but I think they may be over so I'm sure it's safe to step across the thresh hold again. Their not going to remember who I am!

What's keeping me so busy? Well, right after I returned stateside I immediately went into rehearsals for a production of Sweeney Todd being done at Ohlook. Sometimes they do larger shows with a mix of adults and kids and this was one of those shows. I played Beadle Bamford, surprisingly, for the first time. I have had some opportunities in the past but it has never worked out. We did twelve performances and while it might not have been the most professional production I've ever been in at least I got to learn the role, get twelve performances and write it on my resume.

After we opened that show, James and I started rehearsals for [title of show]. This has been a labor of love. Labor being the operative word. James and I have had to be the costume designers, set designers, props designer, producers, go fers and anything else our non-existent "staff" would do. Honestly, I don't really mind it as it is great fun and we get to do the show the way WE want to do it.

It is a wonderfully written show all about the creative process and how a group of friends relates to one another as the quirky musical the write starts to become successful. We have a wonderful cast, all very good friends, and we've been having a lot of fun. The artistic director at Ohlook has been great. She has been very hands off because she knows that we know what we're doing and as a result we've been able to do the show exactly the way we want to do it which is thrilling. The cast is so good I can't say I've had to give a whole lot of guidance as to their concept of the show. Mostly I've shown them blocking then tried to stay out of the we and just let them have fun and play and create the characters' relationships on their own. I'm big on pacing and intent and connecting the dots of hte plot so that's mostly where my notes lie. I think it's going to be a good production. It's played on a TINY stage and truly is just four chairs and a keyboard, as the song says. I'm sure opening night will be fantastic!

I guess that's about it. I've just been consumed with these two shows. I decided not to take voice lessons in Summer II because I knew I wouldn't have time to learn new music what with [title of show] to direct. I am trying to push myself to get everything done by next may so I can graduate. There's relatively little left to do. Keep your fingers crossed!

so that REALLY is it! I wish I had more to say. I'm always thinking up subjects to blog about but then I think they'll be too ranty for words! I must be terribly dull. Sigh....